This is the first issue of the seminal 90ies Hardcore Fanzine. You can find it in various places over the net, but this version is reader-friendly as it's one single pdf.
This is the first issue of the seminal 90ies Hardcore Fanzine. You can find it in various places over the net, but this version is reader-friendly as it's one single pdf.
This is issue number two of the infamous H8000 Fanzine, covering the at that time flourishing and uprising Belgium's (Metal-)Hardcore-scene. The secondf issue covers interviews with bands such as Integrity (a fairly poor one as usual for Dwid & bandmates) and H800 locals Regression, as well as with Jose of Desperate Fight Records from Sweden. Inbetween you'll find a good doze of fanzine and band reviews as well some showreviews ( Congress, Nations On Fire, Integrity, Ringworm to name a few). One of the colums deals with violence and hardcore (for which the H800 area was famous for). The printing quality is fairly good for xeroxed mid90ies hardcore zine in contrast to the quality of writing, which is to speak the truth quite poor. While you could valuably argue that this represents your typical, almost a-political, lifestyle-oriented (see the supernintendo trading adverts inside) spoiled upper-class-kids hardcore fanzine that anticipated iwhat had to come with "emo" and MetalHC" shortly later, the compassion and sincerity put into the making of this fanzine are out of doubt. I guess you could feel biased about this zine and the scene it represented. I remember enjoying reading about Desperate Fight, Integrity and Nations On Fire but at the same time being left with a somewhat discomposed feeling afterwards. That was not my zine (nor scene) but I found it nevertheless interesting for historical purposes.
Inside Front Ausgabe Nr. 9 aus dem Jahre 1996, mit einer 7' als Beilage mit den damals angesagtem Bands aus dem Good Life Records-Umfeld CONGRESS, SHORTSIGHT, LIAR and REGRESSION. Auf Papier gibt es neben ausführlichen und zum Teil wirklich inspiririerenden und polarisierenden Kolumnen (in welche ich mich wirklich zu vertiefen pflegte soweit es mein Englisch damals zulies...)natürlich auch den üblichen Fanzine-Standard aus Band Interviews ( mit Congress und den wirklich empfehlenswerten Timebomb aus Italien) sowie Fanzine-und Plattenkritiken.
Im Orignal bei Armed With Compassion "erschienen".
This Review is offered by blogged & quartered and can be found here:
File revised on Dec. 12, 2009 for far superior sound quality on all the studio tracks. Trust me, it's worth the download.This Review is offered by blogged & quartered and can be found here :
American Standard were a great punk rock band from New Jersey. They were kinda grouped into the NYHC scene (the song "Away" even appeared on the "Sunday Matinee: The Best of NY Hardcore" comp LP released on Another Planet Records in 1994), although the band's sound was pretty far removed from the NYHC scene. They took influences from the DC scene, and the emo sound that evolved from Rites of Spring, gave it a bit of a harder rock edge, added some pop hooks, and created some unique and catchy music. This is a collection of material recorded prior to their amazing first album "Wonderland". Thanks to Jon Shiver, Jeremy Dean and Scott Bilbrey for the music. Enjoy.
American Standard: 1987-1988
William "Bill" Dolan - vocals
Matt Dolan - guitar
Scott Bilbrey - bass
Jay "J" Colangelo - drums
The "Thank You" demo (tracks 1-5) was recorded at Inner Ear Studio in Arlington, VA sometime in early 1988. These are my favorite versions of these 5 songs, and the sound quality is excellent. Versions of these tracks appear on other demos posted here, and all 5 were re-recorded for the "Wonderland" LP in 1989.
Tracks 6-9 are rough mixes of the Wonderland sessions recorded at Chung King in 1988. The opening track "Grin" is the only track exclusive to this session, as "It Comes Around" and "Building Blocks" are on the "Thank You" demo, and "Without Asking Why" is on the 1987 demo. Still, these are great renditions of these tracks, and definitely worth hearing. I cleaned up these tracks as best as possible.
Next up (tracks 10-16) is a great set recorded live on Pat Duncan's show on WFMU in East Orange NJ (at the time, the WFMU studio has since moved to Jersey City, NJ). This version of the set is strictly the music. I cut out all the in-between song banter because while de-hissing the set made the music sound much better, it made any talking between tracks sound much worse. You're not missing much though, the band introduces a few of the songs and makes one show announcement. The music sounds much better than any of the other copies you'll find, and that's all that counts. To me anyway.
Tracks 17-21 were the band's very first recordings, known as the "Paul Noser Demos". Some great exclusive tracks on this demo like "Blind Leading Blind", "Shadows" and "Love and Trust".
Scott Bilbrey on the "Paul Noser Demos":
Paul Noser was a friend and musical mentor of the band (and amazing musician) who had a small studio in his basement in suburban NJ, not far from where we lived and formed as a band. This was recorded in early 1987. Just some context, Matt and J were 16 years old -- juniors in high school. We were still finding our way musically and as a band, so go easy! :)
We played all of these songs in our real early shows (1987) but by mid-1988 the only one that survived was Away -- which we played pretty much to the end.
This is actually a rough mix of the demo, so there are a couple glitches (vocals fade in on Shadows; a clown horn that Bill was goofing with can be heard on Away -- was supposed to be edited out).
Blind Leading Blind was the first song we ever wrote.
I know we played Shadows at our first CBGB's gig in January 1988 (with Swiz) but I don't know if we played it much beyond that.
Away made it onto Wonderland -- this is the first recorded version.
This version of Where'd They Go is pretty much how we played it live, unlike the other version from the first Inner Ear Demos, which was a bit experimental. We played it live only a few times.
To read the full story behind the demos, check out the comments section of this post.
Also check the comments section for the original upload of the "Paul Noser Demos" (before i cleaned them).
Last in the collection are 4 demo tracks recorded at Inner Ear Studios in 1987. The quality varies from track to track, but considering these tracks were buried under so much tape hiss, i think they came out really well. The original '87 demo had 5 tracks. I didn't include the song "Thank You" due to horrible sound quality that was beyond repair. But that song is already in this collection twice, so no harm. Thanks to Scott Bilbrey for the info on all these recordings.
Matt Dolan on American Standard:
Washington DC. That was where our biggest influences were- the DC scene. Dag Nasty, Fugazi, bands like that. We were really inspired by that because it wasn't as 'aggro' as the New York scene was. There starting to call bands Emo-core now, and they were calling them Emo-core back in '95.
You can read the entire interview with the band here.
And check out the American Standard page on the Maggadee Records site for lots of great band pics.